As a Modeling Supervisor I set guidelines, procedures and modelling workflows for the studio locally and globally. I work both directly and indirectly on projects to help them succeed.
I managed and provide mentorship to artists including performance reviews.
Along with Artist Management, I help crew projects with appropriate artists.
I am heavily involved with interviewing and hiring.
As a supervisor I Help with bidding and scheduling asset builds.
I managed a team of 70 people at one point.
Here are some of my favorite projects that went through Method during my time as Modelling Supervisor/HOD.
I was an asset lead for this project. My responsibilities were:
Overseeing all asset builds at Method Vancouver for the Kamar-Taj temple and Lamborghini crash shots.
Overseeing the builds of many misc. assets such as digital doubles, props, and vehicles.
Working with the show’s production staff to schedule and assign tasks to artists.
Reviewing and providing feedback on artist's work.
Filtering notes from clients and or production to artists.
Working closely with downstream departments to ensure asset quality and that they met technical specifications.
I was an asset lead for this project. My responsibilities were:
Overseeing the creation of many building assets that would be destroyed in VFX shots. This show required all the buildings to be built in a very technical way in order for the FX department to do the destruction work. I made sure all the buildings were built to spec.
Overseeing the build of the hero helicopter seen in many shots. This would be a shared asset used by other studios.
Overseeing the build of many misc. assets such as digital doubles, vehicles, and props.
Working with the show’s production staff to schedule and assign tasks to artists.
Reviewing and providing feedback on artist's work.
Filtering notes from clients and or production to artists.
Working closely with downstream departments to ensure asset quality and that they met technical specifications.
I was an asset lead for this project. My responsibilities were:
Building some of the block structures that made up the maze and overseeing the other maze assets.
Partially building the creatures rear legs and overseeing the builds of the mechanical parts.
Working with the animation team in order to develop the Griever creatures telescopic legs.
Overseeing and building assets for the giant Maze facility reveal.
Overseeing and building damaged buildings for the scorch world reveal.
Overseeing the builds of many misc. assets such as digital doubles, props, and vehicles.
Working with the show’s production staff to schedule and assign tasks to artists.
Reviewing and providing feedback on artist's work.
Filtering notes from clients and or production to artists.
Working closely with downstream departments to ensure asset quality and that they met technical specifications.
I was an asset lead for this project. My responsibilities were:
Building the Hexagon building asset.
Building and blocking in many of the background buildings.
Creating the initial layout for the night time and day time city shots for Matte Painting to work with.
Building all the glowing blue roadways in the cityscapes.
Sculpting the damage for the bridge between buildings.
Overseeing the builds of many misc. assets such as digital doubles, props, and vehicles.
Working with the show’s production staff to schedule and assign tasks to artists.
Reviewing and providing feedback on artist's work.
Filtering notes from clients and or production to artists.
Working closely with downstream departments to ensure asset quality and that they met technical specifications.
I was an asset lead for this project. My responsibilities were:
Overseeing and working on a digital model of the White house and grounds for use in VFX shots.
Overseeing the build of the Blackhawk helicopters and crew.
Overseeing the builds of many misc. assets such as digital doubles, props, and vehicles.
Working with the show’s production staff to schedule and assign tasks to artists.
Reviewing and providing feedback on artist's work.
Filtering notes from clients and or production to artists.
Working closely with downstream departments to ensure asset quality and that they met technical specifications.
I was an asset lead for this project. My responsibilities were:
Overseeing and building crowd assets for parade shots.
Overseeing the builds of many misc. assets such as digital doubles, props, and vehicles.
Working with the show’s production staff to schedule and assign tasks to artists.
Reviewing and providing feedback on artist's work.
Filtering notes from clients and or production to artists.
Working closely with downstream departments to ensure asset quality and that they met technical specifications.
